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Other sites of interest:
Texas Swing Kings
Cornell Hurd Band
Herb Steiner
Steel Guitar Forum
Don Walser
Corrina Rachael
Western Swing Monthly |
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Howard
Kalish admits that he likes being a sideman. He likes to accompany the singer and weave in
and out between the words. He likes to rip off a hot solo or play a pretty melody and
watch the dancers glide across the floor. For 15 years he played fiddle and guitar with
the incomparable and intercontinental Don Walser. He's played fiddle with legendary
singers like Hank Thompson, Ray Price, Johnny Bush and Cornell Hurd. For a fellow who's
not a full-time musician, he manages to perform with many superb players and does lots of
fun, exciting and challenging gigs. Howard was born in Brooklyn, New York
where he was weaned on broken glass. He moved with his parents to Providence, Rhode Island
when he was 9 and then to Southfield, Michigan when he was 15. When he was a kid, he
really liked Al Jolson and big band music. In junior high he got the blues, so he started
playing harmonica and guitar. He also started listening and learning from Frank Zappa and
the Mothers of Invention.
An interest in jazz
guitar lead him to Django Reinhardt, but when he heard Stephane Grappelli's hot violin he
decided that he wanted to learn how to do that - swing on the fiddle. Around the same
time, he became familiar with the music of Bob Wills and His Texas Playboys. The
combination of take-off jazz, soulful singing, vibrant fiddle tunes and the blues gave him
his musical focus. He taught himself to play while attending Grand Valley State College
(now University) in western Michigan. After graduating in 1976, he moved to California
where he played with many different bands and honed his skills. While in the Bay area, he
met Cornell Hurd and played some shows with his band, the Mondo Hotpants Orchestra. Howard
joined a popular outlaw country band called the Rattlesnake Hatband and played many dives
and skull orchards. In 1978, Howard moved to Texas to get a better understanding of the
music that he enjoyed. Once in Texas, he immersed himself in the varied country and
western swing styles and became an avid fan of Tommy Jackson's fiddle style, which is a
key component of the Ray Price shuffle sound that still resonates in Texas. He sought out
the great swing fiddle players in Central Texas and took some lessons from Asleep At the
Wheel's Bill Mabry and Danny Levin.
In the spring of 1979,
Howard was playing with a band called Seven Come Eleven at a club near Lake Travis, west
of Austin. It was raining real hard and the band was swinging harder. In walked a
stunningly beautiful woman. Everyone in the club turned around. On the break, Howard came
by and started talking with her. She said her name was Kathy and she wanted to take fiddle
lessons. Howard and Kathy wound up getting married 1982 and they have a daughter, Corrina,
who was born in 1985. Both Kathy and Corrina enjoy Howard's music and come out to hear him
play. Howard has had numerous offers to go on the road with popular country singers, but
has preferred to stay home in Austin with his family, work a day job, and play music on
the side.
Howard played in a
variety of bands in the 1980's and was part of a great house band at the Texas Tumbleweed
Restaurants, which allowed him to pursue his interest in computer programming. That band
moved to the Hyatt Hotel in downtown Austin and played a happy hour there for a number of
years. The musicians in that band were superb and at various times included Ernie Durawa,
Reese Wynans (from Stevie Ray Vaughn), Terry McBride (from the Ride), Larry Nye, Frosty,
Carl Hutchins, Steve Mendell, and Nick Connelly.
For several years
Howard played with Centex honky-tonk favorites Possum Gap and then started doing shows
with Ethyl and Methyl (aka Chris O'Connell and Maryann Price), who swang like mad. In 1986
Howard started his own band, the Rightsiders with Marty Muse and Mike Potter. They wanted
to play the old dance style music and throw in a lot of swing. The Rightsiders played for
dancers in honky-tonks and beer joints all over the Central Texas area. Also, that year he
performed and recorded with one of his fiddling heroes, Johnny Gimble. They played during
the Texas Sesquicentennial at the San Jacento Monument. Quite an honor. Howard would get
to record and perform several more times with Johnny in later years. It's always an
invigorating experience.
In 1987, Howard was
part of Al Dressen's Super Swing Revue. In April, they backed up many luminaries for a big
Western Swing Show including Floyd Tillman and a formidable fellow named Don Walser, who
knocked the audience out with his singing and yodeling. Howard and Don hit it off and
started playing gigs together. Soon they had a regular Monday night at Henry's, on Burnet
Road in north Austin. Henry's was a rare scene, where old folks and young folks, rednecks,
punks and vintage people shared a love for a smoky joint with cold, cheap beer and a
country band in the corner. Don and Howard beefed up the sound with Skinny Don Keeling on
bass and then added legendary steel guitar player Jimmy Day. Before long the Pure Texas
Band had twin fiddles when young Jason Roberts joined Howard to form a fine fiddle
section. The proprietors, James and Gail Henry, loved the music and held court at their
table beside the band.
Howard played steadily
with Don from 1988 until the present and played fiddle on Don's CDs. They and the Pure
Texas Band, which now includes Scott Walls on pedal steel guitar, Skinny Don on bass, and
Phillip Fajardo on drums, played many great shows over the years, including Lincoln
Center, Kennedy Center and the 1996 Olympics in Atlanta for 6 days. They played a monthly
Saturday night at the world-renowned Broken Spoke for over 10 years and played weekly at
South Austin's Jovita's Mexican Restaurant. Howard says restaurant gigs are good.
Though Don Walser gigs
kept him busy, Howard continued to perform and record with other interesting ensembles,
including the adventurous Austin Klezmorim, the Derailers, Wayne "the train"
Hancock, and the great pedal steel guitarists Herb Steiner and Bert Rivera. Recently,
Howard has been playing with the powerhouse Cornell Hurd Band. He's been part of their
recording band for years, but now has more time to play with them on a regular basis.
At the end of 2002,
Howard took the Pure Texas Band and auxiliaries into the studio to record 8 songs
featuring Don Walser. A few months later, he took them in again and started work on his
new CD "What the Hey". It's the culmination and the beginning and it was a blast
to make. In addition to Pure Texas Band stalwarts Scott, Skinny Don and Phillip, the
recording ensemble includes Garmmy-award winning piano pounder Floyd Domino, the
incomparable guitar player Rick McRae from George Strait's band, recent Pure Texas
addition Timmy Campbell on drums, Howard's pal from the Texas Tumbleweed and Hyatt,
drummer supreme Ernie Durawa, Rightsiders alumni and bass master Lynn Daniel, and Dave
"LeRoy" Biller chunking out the rhythm guitar. The CD is a mix of instrumentals
and songs with Howard singing 6 tunes and special guest Don Walser singing 3. The record
is rounded out with 6 original instrumentals that let Howard and the band stretch out and
show that shuffles, swing tunes, waltzes and polkas still have a lot of life in them.
Several years ago
Howard got a 5-string fiddle and more recently added a 5-string electric mandolin to his
arsenal. His musical approach has always been to build on the wonderful country and
western swing music of the past, not to recreate it but to help it continue to evolve. His
style encompasses the sounds of his musical heroes but it comes out as pure Howard. Give a
listen to his new CD and remember Howard's words to live by - "What the Hey". |